- Salman Khan and Rashmika Mandanna’s chemistry is a highlight, though short-lived.
- The film leans heavily on action, overshadowing its emotional and socio-political themes.
- Despite mixed reviews, Sikandar is poised for a strong box office opening.
Salman Khan’s Sikandar, directed by AR Murugadoss, follows a grief-stricken royal who embarks on a violent journey in Mumbai after his wife’s tragic demise.
Despite its predictable villain trope and excessive action, Sikandar stays true to the Salman Khan Eid formula—larger-than-life heroism, intense fight sequences, and a touch of sentimentality.
Sikandar – A Salman Khan Action Drama That Delivers Thrills but Lacks Depth
While Sikandar has an emotional premise, it quickly shifts into an action-packed spectacle, emphasizing heroics over nuanced storytelling. Salman Khan delivers an intense performance, portraying a man haunted by loss, but the film’s relentless violence overshadows its core message.
Rashmika Mandanna’s presence adds emotional weight, but her character’s limited screen time leaves a void that the film attempts to fill with high-octane action sequences. Sathyaraj plays the menacing antagonist, yet his character lacks depth, making the conflict feel formulaic.
AR Murugadoss, known for his gripping narratives, presents a film that entertains in bursts but struggles to balance action with emotion. The direction feels uneven, with moments of tenderness drowned out by prolonged fight sequences. However, the film’s background score and action choreography keep the energy high.
With strong ticket sales and Salman Khan’s star power, Sikandar is set for an impressive opening. However, its longevity at the box office will depend on whether audiences embrace the over-the-top action or seek a more layered cinematic experience.
Sikandar is a classic Salman Khan entertainer—thrilling but predictable. While the film has emotional depth in its premise, it ultimately leans on action-packed spectacle. Fans will enjoy the high-energy sequences, but for those seeking a more nuanced narrative, Sikandar may fall short.
“Grief, when it comes, is nothing like we expect it to be.” – Joan Didion
