- Suriya and Pooja Hegde’s performances elevate a visually rich yet uneven narrative.
- Karthik Subbaraj’s direction delivers in style but stumbles in screenplay depth.
- The film opened strong at the box office with an estimated ₹20 crore on Day 1.
Retro marks Suriya’s return to the big screen post-Kanguva. He delivers a compelling performance as Paarivel, a man torn between loyalty, love, and legacy.
However, the film falters in the latter half as the screenplay loses momentum. This is because it is weighed down by excessive subplots and a confusing chase for a shadowy figure known as the “Gold Fish.”
‘Retro’ is Ambitious, Flawed, but Ultimately Entertaining
Director Karthik Subbaraj experiments with genre layering. He blends crime, action, and romantic drama, using a retro-noir style. While that gives Retro a unique texture, the narrative complexity sometimes works against it. Consequently, parts of the film feel overstretched.
Suriya’s portrayal of Paarivel is the emotional center of the movie. His inner conflict, stoic presence, and action sequences are sure to please fans. Pooja Hegde’s role isn’t just decorative; she brings emotional nuance and nostalgia. This is especially amplified by her off-screen tribute to her grandmother, which connected warmly with audiences.
The production design and cinematography deserve special mention for evoking a bygone era with flair. The visuals are not only aesthetic but often symbolic, particularly in scenes involving the “Gold Fish” mystery. SaNa’s background score is moody and textured, complementing the noir vibe.
Despite its uneven pacing and a convoluted second half, Retro remains a worthwhile watch for Suriya’s screen presence. Moreover, the film’s stylistic ambition keeps interest alive. It’s a case of style slightly overshadowing substance, but there’s still enough substance to hold on to.
Retro may not be a flawless film, but it’s a bold and stylish attempt. It offers standout performances, moments of brilliance, and plenty for fans to discuss.
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