- BLACKPINK’s Rosé officially exits the Korea Music Copyright Association (KOMCA) to focus on international markets.
- Atlantic Records and U.S. organizations ASCAP and BMI will now manage her music copyrights.
- She is the first K-pop artist in 22 years to take this step, following Seo Taiji in 2003.
Rosé’s decision to leave KOMCA marks a strategic shift in her career, emphasizing her growing global influence. By moving her copyright management to the U.S., she gains better control over her royalties, ensuring a faster and more efficient collection process.
This move highlights the increasing trend of K-pop artists looking beyond South Korea to maximize their earnings. The U.S. music industry offers higher revenue opportunities and quicker payment processing, which can be crucial for artists with a significant international fanbase.
Rosé Reshapes the K-Pop Business Model with Strategic Copyright Shift
Rosé’s exit from KOMCA is more than a business decision—it’s a statement of her independence. While most Korean artists rely on KOMCA for royalty collection, Rosé is setting a precedent by trusting her copyrights to a global system. Her move comes at a time when K-pop is expanding its reach worldwide, and she is positioning herself at the forefront of this evolution.
Atlantic Records’ involvement signals a new phase in her solo career. With her debut album Rosie and the hit single APT. featuring Bruno Mars, Rosé has already proven her global appeal. By aligning with major U.S. copyright organizations like ASCAP and BMI, she ensures that her music rights are handled in markets where she generates significant revenue.
The extended waiting period for international payments through KOMCA may have been a key factor in her decision. While KOMCA takes months to process royalties, the U.S. system offers a much faster turnaround. For an artist of Rosé’s stature, ensuring quick and efficient financial management is crucial as she expands her solo career.
Beyond the financial aspect, this move strengthens Rosé’s creative control. Managing her copyrights through an international framework could give her greater flexibility in collaborations, licensing, and future projects. As K-pop artists seek more autonomy, Rosé’s decision could pave the way for a shift in how idols manage their music rights.
Rosé’s decision to leave KOMCA underscores her vision for a global career. By taking control of her copyrights, she not only maximizes her earnings but also sets an example for other K-pop artists seeking financial and artistic freedom. This move is another step in her journey toward global superstardom.
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