Monday, 23 June 2025
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Diljit Dosanjh Faces Criticism for ‘Sardaar Ji 3’ Casting

  • Diljit Dosanjh releases Sardaar Ji 3 trailer with Pakistani actor Hania Aamir.
  • The trailer is geo-blocked in India amid rising cross-border tensions.
  • Film to release overseas on June 27, 2025, skipping Indian theatres.

Punjabi superstar Diljit Dosanjh has ignited controversy with the upcoming release of Sardaar Ji 3, after casting popular Pakistani actress Hania Aamir in a lead role.

Due to the escalating geopolitical strain following the Pahalgam terror attack and Operation Sindoor, the filmmakers have confirmed that Sardaar Ji 3 will not release theatrically in India.

Sardaar Ji 3 Controversy: Diljit Dosanjh Faces Heat for Featuring Pakistani Star Hania Aamir

The backlash against Dosanjh has been swift and vocal, with many accusing the actor-singer of being “insensitive” to the current political climate. Critics on platforms like X (formerly Twitter) condemned the decision, calling it a “betrayal” of national sentiment. The controversy has placed Diljit—who has previously been lauded for his global outreach and social awareness—under scrutiny from both fans and nationalists.

Hania Aamir, a celebrated name in Pakistani entertainment, marks her first major role in Indian cinema through this project. Her presence in Sardaar Ji 3 was reportedly kept under wraps until the trailer dropped. While some praised the collaboration as a bold artistic step, others labelled it “provocative” and “tone-deaf,” especially in light of previous boycotts of Pakistani talent in Bollywood.

Director Amar Hundal, known for his work in Punjabi cinema, has not issued a public statement addressing the growing backlash. Industry insiders suggest the team anticipated the controversy but decided to proceed with the international release strategy regardless. The makers believe the franchise’s global appeal can sustain its commercial prospects without the Indian box office.

Interestingly, Sardaar Ji 3 continues the legacy of its successful predecessors, blending horror-comedy with regional folklore. However, the political undertone surrounding this installment may eclipse its entertainment value. Supporters of the film argue for the separation of art and politics, while detractors insist cultural responsibility should not be overlooked in the current climate.


While Sardaar Ji 3 may entertain global Punjabi audiences, its India ban highlights the fragile bridge between artistic freedom and national sentiment in a deeply divided geopolitical context.


“Art should comfort the disturbed and disturb the comfortable.” – César A. Cruz

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